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David C. Edwards' "Motivation and Emotion", 2008.
Reviews the psychology textbook "Motivation and Emotion"by David C. Edwards.
1,010 words (approx. 4.0 pages), 2 sources, APA, $ 35.95
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Abstract
This paper explains that David C. Edwards' "Motivation and Emotion" is clearly and interestingly written, which keeps the reader from getting bored with the material unlike many other textbooks. Edwards' very direct writing style helps him cover precisely and concisely the material without losing the main message in a myriad of technical jargon and round about discussions. The paper relates the ways that this textbook unravels the many mysteries of both human emotion and motivation.
From the Paper
"Another way that Edwards helps to make his study of motivation and emotion more interesting to the reader is to go through each chapter and highlight material that is going to be of a stronger importance. When he finishes one of those sections, Edwards also creates a summary for it so that the reader has a good chance of better comprehending what he has just explained. There are questions at the end of each chapter, as well, and these are helpful for a student who is trying to study for a test on the material that was presented ."
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"The Death of Ivan Ilych", 2008.
A psychoanalytic review of Leo Tolstoy's "The Death of Ivan Ilych".
1,247 words (approx. 5.0 pages), 3 sources, MLA, $ 42.95
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Abstract
This paper analyzes Tolstoy's "The Death of Ivan Ilych", by integrating the theories of Sigmund Freud and Jacques Lacan in order to examine the development and indeed demise of the main character. It looks at how Ivan develops from a young person with very idealistic, if somewhat mundane ambitions, to a disillusioned and emaciated man on his death bed. The paper further discusses how Ilych's condition of ego-idealism and narcissism was to a great extent to blamed upon both his society and his childhood and how tragically, he appears to have left this legacy to his children as well.
From the Paper
"Many of Freud's theories have been popularized by today's cultures in terms such as repression, libido, superego, fetishism, and others. Felluga however warns that such terms should not be taken at the often shallow interpretations presented today, but that they should be investigated in terms of Freud's original meanings. Particularly applicable to Tolstoy's main character in The Death of Ivan Ilych are Freud's concepts of repression and superego. Lacan built upon Freud's work to create his theory of the subconscious, and also to create new terms such as the natural or essential reasons for psychic processes. Of use here are instincts and ideology."
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The Benefits and Dangers of Solitude, 2008.
This paper analyzes the experience of solitary confinement in May Sarton's "Journal of a Solitude" and "The Rewards of Living a Solitary Life" and in the 2000 film "Castaway," directed by Robert Zemeckis.
1,319 words (approx. 5.3 pages), 3 sources, MLA, $ 44.95
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Abstract
The paper explores how solitary confinement proves a challenge to the author and poet May Sarton, as well as the protagonist Chuck Noland of "Castaway," the 2000 film based upon the real-life experiences of a FedEx employee tragically stranded on a desert island. The paper examines the profoundly different responses of the two characters to solitude. The paper explains that Noland is a man trapped against his will on an island with only a volleyball, while Sarton has recourse to friends and simply chooses to live alone, in relatively comfortable circumstances.
From the Paper
"Both works suggest that human beings are fundamentally social animals to some degree, and need companionship as a way of remaining mentally stable, emotionally centered, and sane. However, because Sarton's solitude is occasionally broken with some visits from other people, it does not have the soul-destroying character that Noland's solitude has. Because Sarton's solitude is chosen, she can take delight in the spiritual rewards provided by a life apart from the hustle, bustle, and time constraints of the rest of the social world. And perhaps most importantly of all, even though Hanks learns a great deal during his time on the island, because Sarton embarked upon her solitary life with a purpose, to pursue a fruitful writing career and to avoid the distractions of too much society, she enjoys her time alone"
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Conflict in "Antigone", 2008.
An analysis of the main thematic conflict in the drama "Antigone" by Sophocles.
1,379 words (approx. 5.5 pages), 1 source, MLA, $ 46.95
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Abstract
This paper discusses the main thematic conflict in the tragic drama "Antigone". Specifically, the paper relates that the main thematic conflict in "Antigone" is Antigone's rebellion against authority and law. The paper then looks at how Creon represents the power of the state, while Antigone represents the individual. The paper explains how the conflict is resolved in a tragic way; Creon loses some of his pride while Antigone loses her life.
From the Paper
"Early in the play, it becomes clear that Antigone is not afraid of the power of Creon or the state. She believes the laws are unfair, and she is not afraid to stand up against them and challenge Creon and his power. She believes the gods are the only ones who can truly make the laws, and this sets up the conflict between Antigone and Creon that lasts through the entire play. She says, "Creon is not strong enough to stand in my way" (Sophocles 1304), and she truly believes this, which is why this tragic conflict continues. She loves her brother enough to sacrifice herself to make sure he is properly buried and she will not let the laws of a powerful king stand in her way."
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Censorship in "Beauty and the Beast", 2008.
A comparison of censorship in "Beauty and the Beast" in one of the original versions by Jeanne Marie Le Prince de Beaumont and a modern re-telling by Angela Carter, entitled "The Tiger's Bride."
1,118 words (approx. 4.5 pages), 4 sources, MLA, $ 38.95
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Abstract
This paper discusses censorship within the fairy tale, "Beauty and the Beast." It compares two versions of "Beauty and the Beast" - one of the original versions by Jeanne Marie Le Prince de Beaumont and a modern re-telling by Angela Carter, entitled "The Tiger's Bride." The paper examines the function of sexual desire and how censorship is employed to either dilute or completely erase representations thereof.
From the Paper
"It is also interesting to note the difference between the depictions of Beauty in the two stories. In de Beaumont's story, Beauty exudes all the quintessentially feminine "virtues" that would go unchallenged for several centuries. She is devoted to her father, submissive to the demands of the two men in her life - namely, her father and the Beast, and completely passive. In Carter's story, Beauty is anything but passive. Rather than "taming" the Beast by submitting to him, she allows herself to be transformed into a beast, and can thus become one with all the typically "masculine" qualities assigned to the creature.
"One important difference between the two stories, however, is that de Beaumont's was written for an audience of children, while Carter's clearly was not. This is also why sexual desire is largely absent from de Beaumont's text. It has not been censored necessarily in order to protect children, but for the simple reason that this form of desire is too complex for children to understand. It thus reduces the relationships among adults to caricature-like renderings, to a polite code that can nevertheless be unscrambled by more mature readers."
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The American War for Independence, 2008.
An analysis of David Hackett Fischer's "Washington's Crossing", which offers insight into the American victory in the War for Independence.
938 words (approx. 3.8 pages), 1 source, MLA, $ 33.95
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Abstract
The paper discusses how historian David Hackett Fischer, in his book "Washington's Crossing", perceives the American victory in the War for Independence as a true moral victory for the Americans. The paper explains his belief that since the Americans were free men who were willingly fighting for their values and ideals, they triumphed over the larger Hessian mercenary and British army who only half-believed in the British cause. The paper contrasts the moral force and discipline in the American army and their ethical care of prisoners of war to the conduct of the British army. The writer asserts that it is sad as an American to read this book in light of recent scandals about the American army's mistreatment of prisoners of war.
From the Paper
"Fischer uses as a kind of case study the famous crossing of the Delaware River by Washington, which proved such a decisive victory for the Americans in war. By all odds, the Americans should not have won because of their inferior numbers. The fact that they took the garrisoned Hessians by surprise on Christmas Day is part of the reason for their success. (Fischer notes that these professional soldiers, despite popular American mythology, were not drunk--surprised, yes, but not drunk). He attributes the survival of the Patriot army to their zeal and belief in freedom, and the way that the values of the Enlightenment and the common man were upheld by the Americans in the war. "
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"A Raisin in the Sun", 2008.
This paper analyzes the protagonist in the play "A Raisin in the Sun" by Lorraine Hansberry.
1,012 words (approx. 4.0 pages), 3 sources, MLA, $ 35.95
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Abstract
The paper describes the Younger family who, although they each have different goals, dreams and ambitions, ultimately work together as one character to achieve the dream of home ownership. The paper shows how the author uses the entire family as a type of larger-than-life protagonist, indicating it takes more than one family member to fight the white "system" and attain the dreams of the entire family.
From the Paper
"At the beginning of this emotional play, all the Younger family characters are introduced in the first act. At first glance, it would not seem as if the playwright had the idea of altering the traditional protagonist role to include the entire family. Each member of the family seems to have a different agenda at the start of the action. Walter wants to buy a liquor store, Mama wants to buy a house, Ruth is afraid to bring another child into the world, and Beneatha wants to go to medical school. In the 1950s, when they play is set, all of these are lofty goals, especially for a struggling black family living on the South Side of Chicago."
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