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Conflict in "Antigone", 2008.
An analysis of the main thematic conflict in the drama "Antigone" by Sophocles.
1,379 words (approx. 5.5 pages), 1 source, MLA, $ 46.95
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Abstract
This paper discusses the main thematic conflict in the tragic drama "Antigone". Specifically, the paper relates that the main thematic conflict in "Antigone" is Antigone's rebellion against authority and law. The paper then looks at how Creon represents the power of the state, while Antigone represents the individual. The paper explains how the conflict is resolved in a tragic way; Creon loses some of his pride while Antigone loses her life.
From the Paper
"Early in the play, it becomes clear that Antigone is not afraid of the power of Creon or the state. She believes the laws are unfair, and she is not afraid to stand up against them and challenge Creon and his power. She believes the gods are the only ones who can truly make the laws, and this sets up the conflict between Antigone and Creon that lasts through the entire play. She says, "Creon is not strong enough to stand in my way" (Sophocles 1304), and she truly believes this, which is why this tragic conflict continues. She loves her brother enough to sacrifice herself to make sure he is properly buried and she will not let the laws of a powerful king stand in her way."
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Marie de France's "Eliduc", 2008.
An analysis of the social conventions and gender differences in Marie de France's "Eliduc."
1,173 words (approx. 4.7 pages), 2 sources, MLA, $ 40.95
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Abstract
This paper introduces and discusses Marie de France's "Eliduc," which is a typical Medieval story of courtly love. It describes the plot of the story, as well as the main characters. The paper then discusses Gayle Rubin's theories about the the social conventions of the story of "Eliduc" in her work, "Traffic of Women." It also describes how Rubin specifically looks at the social conventions regarding the gender differences in Marie de France's story.
From the Paper
"By taking the example of the animals, the characters highlight the importance of unrestrained desire, which does not wait for social confirmation or acceptance of an action. Expectedly, the triangle would have been solved either with Guilliadun's death or with the sacrifice of the unlawful couple. Here however, social oppression is shaken off by the sacrifice performed by Eliduc's wife. Without further thought, she is so rejoiced at the revival of Guilliadun that she decides instantly to go to a convent and take the veil, thus leaving her husband free to marry his chosen lady. Love is thus placed hierarchically above the constraining marriage. The end of the story brings back the reconciliation of the characters with God, as they marry and then all retire to a convent: "Eliduc married his beloved; the celebrations were conducted with great honor and a noble service on the day of their wedding. They lived together for a long time, and their love was entirely courtly. They gave generous alms and did good deeds, until finally they turned towards God."("Eliduc") Earthly love and divine love are thus brought together and reconciled."
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Censorship in "Beauty and the Beast", 2008.
A comparison of censorship in "Beauty and the Beast" in one of the original versions by Jeanne Marie Le Prince de Beaumont and a modern re-telling by Angela Carter, entitled "The Tiger's Bride."
1,118 words (approx. 4.5 pages), 4 sources, MLA, $ 38.95
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Abstract
This paper discusses censorship within the fairy tale, "Beauty and the Beast." It compares two versions of "Beauty and the Beast" - one of the original versions by Jeanne Marie Le Prince de Beaumont and a modern re-telling by Angela Carter, entitled "The Tiger's Bride." The paper examines the function of sexual desire and how censorship is employed to either dilute or completely erase representations thereof.
From the Paper
"It is also interesting to note the difference between the depictions of Beauty in the two stories. In de Beaumont's story, Beauty exudes all the quintessentially feminine "virtues" that would go unchallenged for several centuries. She is devoted to her father, submissive to the demands of the two men in her life - namely, her father and the Beast, and completely passive. In Carter's story, Beauty is anything but passive. Rather than "taming" the Beast by submitting to him, she allows herself to be transformed into a beast, and can thus become one with all the typically "masculine" qualities assigned to the creature.
"One important difference between the two stories, however, is that de Beaumont's was written for an audience of children, while Carter's clearly was not. This is also why sexual desire is largely absent from de Beaumont's text. It has not been censored necessarily in order to protect children, but for the simple reason that this form of desire is too complex for children to understand. It thus reduces the relationships among adults to caricature-like renderings, to a polite code that can nevertheless be unscrambled by more mature readers."
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The American War for Independence, 2008.
An analysis of David Hackett Fischer's "Washington's Crossing", which offers insight into the American victory in the War for Independence.
938 words (approx. 3.8 pages), 1 source, MLA, $ 33.95
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Abstract
The paper discusses how historian David Hackett Fischer, in his book "Washington's Crossing", perceives the American victory in the War for Independence as a true moral victory for the Americans. The paper explains his belief that since the Americans were free men who were willingly fighting for their values and ideals, they triumphed over the larger Hessian mercenary and British army who only half-believed in the British cause. The paper contrasts the moral force and discipline in the American army and their ethical care of prisoners of war to the conduct of the British army. The writer asserts that it is sad as an American to read this book in light of recent scandals about the American army's mistreatment of prisoners of war.
From the Paper
"Fischer uses as a kind of case study the famous crossing of the Delaware River by Washington, which proved such a decisive victory for the Americans in war. By all odds, the Americans should not have won because of their inferior numbers. The fact that they took the garrisoned Hessians by surprise on Christmas Day is part of the reason for their success. (Fischer notes that these professional soldiers, despite popular American mythology, were not drunk--surprised, yes, but not drunk). He attributes the survival of the Patriot army to their zeal and belief in freedom, and the way that the values of the Enlightenment and the common man were upheld by the Americans in the war. "
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"A Raisin in the Sun", 2008.
This paper analyzes the protagonist in the play "A Raisin in the Sun" by Lorraine Hansberry.
1,012 words (approx. 4.0 pages), 3 sources, MLA, $ 35.95
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Abstract
The paper describes the Younger family who, although they each have different goals, dreams and ambitions, ultimately work together as one character to achieve the dream of home ownership. The paper shows how the author uses the entire family as a type of larger-than-life protagonist, indicating it takes more than one family member to fight the white "system" and attain the dreams of the entire family.
From the Paper
"At the beginning of this emotional play, all the Younger family characters are introduced in the first act. At first glance, it would not seem as if the playwright had the idea of altering the traditional protagonist role to include the entire family. Each member of the family seems to have a different agenda at the start of the action. Walter wants to buy a liquor store, Mama wants to buy a house, Ruth is afraid to bring another child into the world, and Beneatha wants to go to medical school. In the 1950s, when they play is set, all of these are lofty goals, especially for a struggling black family living on the South Side of Chicago."
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"The Faerie Queene", 2008.
An analysis of Edmund Spenser's representations of nature in the poem "The Faerie Queene".
1,585 words (approx. 6.3 pages), 0 sources, $ 51.95
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Abstract
This paper discusses how Edmund Spenser's "The Faerie Queene" is one of the greatest allegorical poems ever written in English and how the religious symbolism connected with the poem is practically the key of the entire allegory. In particular, the paper examines how the way in which Spenser represents nature in his poem is very significant precisely because the text is an allegory in which the real, natural setting is symbolic. Furthermore, the paper attempts to show that Spenser represents nature in two adverse ways which illuminate his vision of the world. The paper concludes that Spenser represents nature as a sympathetic force which is part of God's divine creation and which is moreover able to reflect the spiritual qualities of a certain being.
From the Paper
"Nature is therefore itself a part of the great allegory. In fact, Spenser's allegorical poem is a synthesis of his vision of the world, comprising the forces that drive the world and human behavior at the same time. The poem relates mainly the adventures of Redcorsse, the errant knight of Holinesse, and Una, his female companion and the symbol of truth. The Faerie Queene is no less than Queen Elizabeth of England, whom Spenser regarded as a holy person because she was the defendant of Protestantism against the corrupted Catholicism. The allegory opposes these two religions, making it clear that Protestantism is the right religious view. In the first Book of the poem, nature is depicted in its entirely luxurious wilderness. There is a great array of mythological characters and beasts which are met, in turns, by the wandering knight. The divide between the natural and the unnatural forces obviously corresponds to that between good and evil. Although natural law is condemned by Puritanism, Spenser did not reject it. "
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Janie in "Their Eyes Were Watching God", 2008.
A character analysis of Janie in "Their Eyes Were Watching God" by Zora Neale Hurston.
1,063 words (approx. 4.3 pages), 1 source, MLA, $ 37.95
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Abstract
The purpose of this paper is to introduce, discuss, and analyze the book "Their Eyes Were Watching God" by Zora Neale Hurston. Specifically it contains a character analysis of the main character, Janie. It looks at how Janie grows to be a woman in this story, and eventually finds her own brand of peace, as well. At the beginning of the story, she is unsure of herself, and begins to rely on men to prove her own self-worth. By the end of the book, she is strong, independent, and alone, but she has found her peace and her place in the world.
From the Paper
"Janie, the main character in this novel, is a mulatto woman who has lived most of her life the way other people thought she should instead of the way she has always wanted to live. Her mother abandons her when she is young, and her grandmother (Nanny), raises her. The story takes its title from the passage, "They seemed to be staring at the dark, but their eyes were watching God" (God 151). Throughout the novel, she attaches herself to men who are not right for her, trying to establish her self-worth through others. However, each man teachers her something about herself, so that finally, she learns something important from each of them in turn, and then can create a viable and happy life for herself. Her first husband is Logan Killicks, an older man that Nanny chooses for her. "
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