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The Paxton Boys, 2007.
A detailed look at the "Paxton Boys" incident from an economic, political, religious, cultural and racial perspective.
6,096 words (approx. 24.4 pages), 22 sources, MLA, $ 143.95
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Abstract
This paper attempts to explain what happened during the "Paxton Boys" massacre and march on Philadelphia in 1763. It touches on religious issues like Quakers versus Presbyterians, economic issues like poor versus wealthy, racial issues like whites versus Indians, and political issues like the frontier versus the politicians in Philadelphia.
From the Paper
"During the early morning hours of December 14, 1763, a group of men (approximately fifty) from Paxton, Lebanon, and Hanover Counties (Pennsylvania) brutally attacked a group of Moravian Indians at Conestoga Manor in Lancaster. This group of men have since been known by the infamous title of "The Paxton Boys." The attack was not carried out during the passion of the moment, but instead, was pre-meditated and planned for quite some time. When these frontiersmen arrived at Conestoga Manor they did not find a large group of Indians as first suspected. Rather, they found a group of six--three men, two women, and a child (Vaughan, "Philadelphia Under Siege"). In a savage fashion all six of the Indians, including the two women and the child, were scalped. "
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Beth Cuthand's "Post-Oka Kinda Woman", 2007.
This paper discusses Beth Cuthand's poem "Post-Oka Kinda Woman" from "An Anthology of Canadian Native Literature in English".
1,520 words (approx. 6.1 pages), 2 sources, MLA, $ 50.95
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Abstract
This paper explains that Beth Cuthand's "Post-Oka Kinda Woman"
appears to be about the rather insignificant-looking action of a Native woman walking down the street; however, the subject is really the issue of the Oka crisis, which began on March 11, 1990 and lasted until September 26, 1990. The author points out that, through its prosody, tone, characterization and diction, this poem challenges preconceived notions about Native people. The paper concludes that Cuthand's poem disputes the idea that the Oka crisis is not really over and suggests that the Mohawk nation will continue to fight for their rights over the land.
From the Paper
"Prosody in "Post-Oka Kinda Woman" mixes feet within the poem. By not employing 'perfect' metre with every line doing da-dum or dum-da, the metre Cuthand chose reflects the meaning, mood and emotional colour of the words and images. Line one begins with tetrameter, line while two switches to pentameter and line three has hexameter. The changing metre slows down the reader by line three, emphasizing the importance of the words, "victimization, reparation". Although lines four to six ease in the metre by changing to pentameter, line three slows the reader down."
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Peyotism, 2004.
This paper discusses the history of the use of peyote for religious rituals among the Navajo Indians.
2,460 words (approx. 9.8 pages), 3 sources, MLA, $ 74.95
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Abstract
This paper describes explicitly, based on Edward F. Anderson's book "Peyote: The Divine Cactus", a Navajo religious ceremony which uses peyote to communicate with God. The author points out that peyote had an influence on other tribes for over 400 years but did not impact the Navajo until the late 18th century. The paper relates that, although the peyote ceremony is one of the emblematic signs of Native American religion, opponents of peyote are apprehensive towards these ceremonies and have made efforts to control the use of peyote among Native Americans.
From the Paper
"As the orange-red sun slowly sinks in the horizon, members of a peyote cult enter through the door of a hogan (a pentagon shaped hut in which Native Americans live) designed for their ceremony. The door faces the descending sun and is to the opposite of three men (the Road Man, Drummer Man, and Cedar Man) who are sitting in front of a raised crescent moon of earth. This raised crescent serves as an altar which has a peyote button resting on sagebrush. More members arrive and sit around the altar in a circle. When all the ceremonial devices are properly placed, the fire man, who is sitting east to the entrance, gathers hot coals and arranges them in the form of a "V" with the apex facing the Road Man."
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Dan Aadland's "Women and Warriors of the Plains", 2006.
A summary, analysis and critique of Dan Aadlan's book, "Women and Warriors of the Plains".
1,125 words (approx. 4.5 pages), 1 source, $ 44.95
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Abstract
This paper provides a book report of "Women and Warriors of the Plains", by Dan Aadland. The review looks at the general themes raised in Aadland's text as they focus upon the life of Plains Indians in the American Midwest during the early decades of the twentieth century. The paper also touches upon the life of early twentieth century photographer Julia E. Tuell, the woman to whom Aaland is indebted for the photographs in his book.
From the Paper
"Dan Aadland's Women and Warriors of the Plains is a revealing look at what life was like for the Cheyennes of Montana, the Sac and Fox of Oklahoma, and the Lakota tribe living on the reservations of South Dakota. In particular, Aadland describes the photography and captures the reminiscences of Julia Tuell, a woman who devoted a significant part of her life to recording the native people of the American Midwest at a time when they were still inscrutable to most whites. The following paper will explore Aadland's book and provide a summary of its content. More importantly, the following paper will provide an analysis and critique of the book with some emphasis being placed upon the extent to which Aadland's fawning treatment of Tuell's photography occasionally distracts from what should be the real focus of the book."
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Native American films, 2006.
A review of Native American film history and its influence on the American film industry.
1,350 words (approx. 5.4 pages), 5 sources, $ 53.95
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Abstract
This film study brings forth a brief history of Native American filmmaking in the last one hundred years. According to the paper, the early teens of the 20th century brought forth James Young Deer, but after World War I, white Americans in power soon sought to diminish the role of Native Americans in leadership positions, such as director. The slow and often racist agenda for native Americans took a secondary role to western that exploited Indians as obstacles for Manifest Destiny.
From the Paper
"This film study will analyze the Native American film history and how it had influenced the major film industry of America. For the past one hundred years, Native Americans have played a part in helping to shape the creation of screenplays, directorial approaches, and other elements in the American filmmaking process. By learning of the various directors and actors in this genre, one can realize the major impact Native Americans had on Hollywood. In essence, this study will bring forth an analysis of the history of Native American filmmaking, and its influences on American filmmaking within the past one hundred years. The first half of the 20th century was a difficult tie for Native Americans, as they were mostly left out of filmmaking within the major industry markets."
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The Cherokee Tribes and Warfare, 2006.
A review of the Native American Cherokee tribe's war strategy.
1,575 words (approx. 6.3 pages), 7 sources, $ 62.95
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Abstract
A discussion regarding how in recent years, mainstream society has "re-discovered" Native Americans after a period of forgetfulness. Needless to say, one of the more prominent of all the Native North American peoples has been the Cherokee - perhaps because few other native tribes (at least to this writer's knowledge) have enjoyed the territorial, geographic reach of the Cherokee nation - a nation with tribes in the Virginias, the Carolinas, and the Southern United States. This paper looks at America's Cherokee tribes and explores the manner in which their approach to warfare since the arrival of the "white man".
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Native Americans and Western Expansion, 2006.
A discussion regarding Native Americans, Western expansion and government involvement.
675 words (approx. 2.7 pages), 3 sources, $ 26.95
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Abstract
This paper discusses how when When American pioneers crossed the Mississippi River more than a century-and-a-half ago and began to settle in the Southern Plains, they encountered the Comanches, who dominated this region in the mid-nineteenth-century because they were one of the first Native American tribes to acquire horses from the Spanish and one of the few to breed them to any extent. The paper further discusses that because Comanche horsemen had become so highly skilled, they set the pattern of equestrian nomadism that was so characteristic of the Plains Indians in the nineteenth century, and made possible the pervasive buffalo culture of most Native American tribes.
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